Two June 68 Feedback segments provide some extreme noise, and finally littered throughout are bits and pieces of the 012278 Close Encounters Jam. Regarding the Dead appropriations and mutations on this mix, Ayoub explains: “I'm done being frustrated by the lack of completely buckshitfuckwild official releases in the vein of ‘Grayfolded’ and ‘Infrared Roses,’ and that's the driving force behind the Grateful Dead-adjacent portions of the “Lost in Space Tapes.”Ħ3-minute"Lost in Space: The Derelict" mp3 album zipped up here. View Ayoub’s lightshow work on Instagram just give thanks that someone is doing Ayoub’s day job, building badass synthesizers at STG Soundlabs.
If the Dead had addressed their weirdest recordings the same way those artists did, they might have produced documents like Ayoub’s remixes.Ĭheck out this live synthesizer rooftop concert video on Youtube. If “Seastones” has eluded you, so far, track 3 on Ayoub’s album might be what you need.Īyoub’s Dead reprocessing aligns directly with my own fascination with the band’s 1990s MIDI explorations and the band’s lifelong resonance with avant garde music, including Eno, Budd, Hassell, Frith, Krautrock, etc. I suspect he is also the world’s leading expert on/appreciator of the Phil Lesh/Ned Lagin “Seastones” project from the mid-1970s, which contributes to this remix album. I am grateful to Bubba Ayoub ( for permission to share his mesmerizing ambient/noise Grateful Dead remix album.Īyoub is a modular synthesizer performer and builder, and a lightshow artist.
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